The year 2013 marked a significant turning point for Dior. Raf Simons, the newly appointed creative director, brought a fresh perspective to the storied house, infusing its heritage with a contemporary sensibility. This wasn't merely a change in aesthetic; it was a shift in the very atmosphere surrounding the brand, a transformation palpable both on the runway and, perhaps even more significantly, backstage. This diary delves into the contrasting worlds of Dior’s 2013 shows – the polished public face and the intimate, intensely focused backstage environment where the magic truly unfolded under Simons’ direction.
Christian Dior Fall 2013 — Backstage: The Fall 2013 collection was a testament to Simons’ ability to marry Dior’s legacy with his own minimalist vision. Backstage, the atmosphere was a fascinating juxtaposition of controlled chaos and quiet intensity. Unlike his open, bright white front-of-house presentation, Simons’ private salon was a stark contrast – tented in black, furnished with a dark sofa and a pair of chairs. This deliberate choice of setting reflected his personality: calm but animated, intensely focused yet approachable. The air buzzed with the quiet energy of skilled hands preparing models, the rhythmic snip of scissors mingling with the hushed conversations of the makeup artists and hairstylists. Here, the meticulous detail that characterized the collection – the precise tailoring, the subtle draping, the carefully considered colour palettes – was brought to life. It wasn't about flamboyant displays; it was about precision and quiet power. The black tent became a sanctuary, a space where the creative process unfolded away from the glare of the public eye. The models, many of whom were veterans of the industry, moved with a quiet confidence, understanding the importance of their role in bringing Simons' vision to life. The backstage area was a microcosm of the collection itself: understated elegance and controlled power.
Dior RTW Spring 2013: The Spring 2013 collection showcased Simons’ interpretation of Dior’s New Look, reimagined for a contemporary audience. Backstage, the energy was different. The lighter, more playful nature of the collection was reflected in a slightly less austere backstage environment, though the focus remained sharp. While the black tent remained a crucial element of Simons’ private space, there was a palpable sense of excitement and anticipation. The bright colours and playful silhouettes of the collection seemed to permeate the atmosphere, creating a more vibrant and upbeat environment compared to the Fall collection’s more subdued mood. Here, the emphasis was on the lightness and fluidity of the garments, and the backstage team worked with a corresponding energy, ensuring the models embodied the collection’s youthful spirit. The makeup artists meticulously applied the fresh, dewy makeup, while hairstylists created styles that perfectly complemented the clothes' ethereal quality.
Christian Dior F/W 2013 show (Part I), Paris: This show, like the others, offered a glimpse into the intricate workings of a high-fashion house. Backstage, the meticulous preparation was evident. The team moved with a practiced efficiency, each individual knowing their role perfectly. The organization was remarkable, considering the scale of the event. This segment of the show, likely focusing on specific aspects of the collection, allowed for a more intimate view of the creative process. The focus was on the details – the perfect placement of a brooch, the subtle adjustment of a hemline, the careful consideration of each accessory. Simons’ presence, though quiet, was felt throughout. His calm authority guided the team, ensuring a seamless flow and a cohesive final product.
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